Pixar's 13th full-length blockbuster feature “BRAVE” has many firsts!

Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. From Disney and Pixar, a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradition and challenges destiny to change her fate.

“Brave” follows the heroic journey of Merida, a skilled archer and headstrong daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to carve her own path in life, Merida defies an age-old custom sacred to the unruly and uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) and cantankerous Lord Dingwall (voice of Robbie Coltrane). Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric Witch (voice of Julie Walters) for help, she is granted an ill-fated wish. The ensuing peril forces Merida to harness all of her skills and resources—including her clever and mischievous triplet brothers—to undo a beastly curse before it’s too late, and discover the meaning of true bravery.

“Brave” represents Pixar’s most daring, sophisticated and complex feature film to date. It also establishes numerous firsts for a Pixar film. It is the studio’s first film to feature a female protagonist, its first period piece in which historical references intersect with a fantasy world, and its first epic adventure set in a natural human world.

“The film is about a teenager’s struggle with finding herself, with creating her own destiny,” says director Mark Andrews of Disney•Pixar’s 13th full-length feature. “More specifically, it’s about Merida’s struggle in reconciling how the world sees her versus how she sees herself. True courage must be found on the inside.”

Directed by Andrews and Brenda Chapman, and produced by Katherine Sarafian, “Brave” is a grand adventure full of heart, memorable characters and signature Pixar humor that audiences of all ages around the world have come to expect. Based on an original story by Chapman, “Brave” was written by Andrews, Steve Purcell and Chapman & Irene Mecchi.

Infusing drama, authenticity and spirit in “Brave” is a phenomenal vocal ensemble comprised largely of actors with Scottish roots. Kelly Macdonald (“Boardwalk Empire,” “Harry Potter and the Deathly Hallows—Part 2”) brings heart to the tempestuous teenager Merida. Acclaimed Oscar®-winning actress Emma Thompson (“Sense and Sensibility”) gives a transformative performance as the regal and proper Queen Elinor. Renowned Scottish comedian/actor Billy Connolly voices King Fergus, the jovial patriarch of the kingdom and a heroic warrior who longs for a rematch with the demon bear Mor’du that took his leg. Voicing the strapping Lord MacGuffin and his son, Young MacGuffin, is Scottish actor Kevin McKidd (“Made of Honor,” “Grey’s Anatomy”). Popular late-night talk-show host/actor Craig Ferguson (“Winnie the Pooh”), also a Scottish native, voices the boisterous, battle-ready Lord Macintosh. Glasgow native Robbie Coltrane (“Harry Potter” films) adds plenty of pluck to scrappy Lord Dingwall, and acclaimed British actress Julie Walters (“Harry Potter” films) conjures up some vocal magic as the mysterious Witch.

“I am so proud of this film for its beauty, its story, its drama, its humor and its action,” says John Lasseter, chief creative officer for Walt Disney and Pixar Animation Studios and an executive producer of “Brave.” “It’s a beautifully balanced film that just sweeps you away in this incredibly gorgeous world with these really entertaining characters. It’s unlike anything you’ve ever seen. That’s what we love to do at Pixar. We love to go to new worlds and present stories that you’ve never seen before. It’s a tour de force of technology and artistry. There’s great storytelling, humor and vocal performances.”

Concludes Lasseter, “Brave” is notably groundbreaking in every way. “It raises the bar for the art form on every level—human animation, hair and clothing; animation of animals, including bears and horses; believability of organic, natural environments and historical settings. It’s an incredible blend of action and humor, with magic, mystery, sorcery and real adventure—a genuine edge-of-your-seat experience. You can’t wait to see what happens next.”

Distributed by Walt Disney Studios Motion Pictures International, “Brave” takes aim at Philippine theaters on August 01, and will be presented in Disney Digital 3D™ in select theaters.

Brave (Mark Andrews and Brenda Chapman, 2012)

Brave is at once the most visually distinctive project Pixar has yet made and their most derivative work. Slightly dimmed as if filmed by natural light, the Celtic realm of stone and forest achieve a new level of realism for the studio's animation; even by their standards, I can think of no other Pixar film that invites such pure pleasure merely in scanning the frame for all its absurdly fine detail. Yet with this new peak of visual sophistication comes a story that mines Disney princess tales and blends it with the style and thematic content of Japanese animation maestro Hayao Miyazaki. But if this setup is less fundamentally "original" than, say, Ratatouille or Up, it nonetheless offers an important opportunity to alter and update a classic form of storytelling. After all, from old elements can come wonderful, new things.

For the first act, at least, Brave demonstrates this in spades. Merida (Kelly Macdonald) instantly establishes herself as an entrancing heroine; the daughter of a king who presides over a group of allied Celtic clans (Billy Connolly), Merida is groomed by her mother, Elinor, (Emma Thompson) to behave like a proper lady but above all cherishes a bow given to her by her father. The precocious child grows up to be an adventurous teenager, strong-willed enough to climb a sheer cliff just because it's there and so skilled in archery that various targets she erects around the castle woods might as well be quivers for how many arrows they hold in their bullseyes. When Elinor announces that the day has finally come for Merida to choose a suitor, the young woman's outrage burns so hotly that the flippant faux-independence of some recent Disney princesses looks even more laughable. When she says she doesn't want to marry right now, she damn well means it, and she goes to unexpectedly drastic lengths to defy her mother's wishes.

Amusingly, Brave portrays its men as brutish, immature fools. King Fergus' hall echoes with the drunken roars of loutish, bragging oafs, none louder than Fergus himself, affable as he is. The sons of clan leaders compete for Merida's hand, but they are all so dim-witted that whomever wins, it's clear that Merida loses. Their broad inanity relentlessly spoofs the idea of winning a lady's hand like a trophy, an idea I would say is self-evidently ridiculous at its most basic level were it not for an Entertainment Weekly article asking whether Merida might be a lesbian for such gender-role-bucking behavior. No, seriously.

Because the men are so shallow and as unworthy of the audience's attention as Merida's, the film devotes most of its time to the conflict between Merida's headstrong behavior and Elinor's adherence to tradition. It is in this generational rift, more so even than Merida's uncompromising behavior, that ties Brave to the best work of Miyazaki. Brave has the intelligence and depth to sympathize with Merida, even to clearly side with her in the issue of betrothal. But that does not preclude the possibility, even the certainty, of her mother being right about many things and, if nothing else, the absolute, unshakeable love a mother has for her child. The delicacy of such a mature evaluation also carries over to the characterization of the disobedient child, and how fine a line can separate righteous indignation from bratty selfishness.

This being a fantasy film, though, this moral is sold less through the striking energy exchanged between Macdonald's and Thompson's animated selves than a magical twist. Such an approach hardly breaks with centuries of fairy tale storytelling, but the plot upheaval here is played more for comedy than pathos. It's not so much a surreal outgrowth of the story so much as a sudden shift that develops the ideas of the first act with only intermittent success. The narrative curveball shatters everyone's arcs: Merida's emotional journey is instantly sidelined into a plot-driven quest, but one that makes irrelevant her foundation of self-sufficiency and strength. Those much-shown archery skills don't even play a role in the climax, or really any moment in the entire second half. Elinor is completely changed, preventing any serious engagement with her character. I wanted to get a sense of whether she walked into her own destined marriage happily or if she sacrificed her own dreams to follow the way of things. An offhand allusion to doubt is dropped at one point, but only as a quick joke that raises frustratingly unanswered questions.

Brave, then, may be most engaging solely as a visual treat, but my God what a treat it is. I've not always warmed to Pixar's quest for realistic animation, feeling that somewhat missed the point of the entire artform. (As beautiful as Ratatouille's Parisian background is, I wish it tried to visualize the city's soul rather than recreate its appearance on Google Earth.) But the detail of Brave's druidic highlands is pristine to the point of tangibility: Scottish fog rolls in so thick it chills the theater with its mist, while the gorgeous but utilitarian stonemasonry of the castle genuinely gives the impression of having been handmade rather than programmed on a computer. Every Pixar builds technically on some specific aspect of a previous film: the reflective sheen of the Cars movies beget the sophistication, astonishing brightness of blazing fires in Toy Story 3 and Wall•E, for example. Here, the animation of Lotso the Bear's fur in Toy Story 3 appears to be the grounding technical element, for the hair and fur of Brave's characters and animals is so tactile I could often focus on nothing else. Whether it's the salt-'n-pepper grain flecking Fergus' steel wool hair and beard or the bristling fur of real, not toy, bears, the animation is breathtaking for its microscopic, almost incidental perfection. Then, of course, there's the case of Merida's curly locks, a feat of virtual gravity-defying the details of which read like NASA-level physical calculations. Yet it also seems indicative of the film's larger issues that I was often so entranced by the female protagonist's hair that I didn't immediately notice how quickly Brave ceases to develop the woman to whom those follicles are attached.

Wheee!!! “BRAVE” premieres latest trailer!

The newest trailer of Disney/Pixar's upcoming animated feature “Brave” is here! 

Synopsis: Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In “Brave,” a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradition, destiny and the fiercest of beasts.

Merida is a skilled archer and impetuous daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to carve her own path in life, Merida defies an age-old custom sacred to the uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) and cantankerous Lord Dingwall (voice of Robbie Coltrane).

Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric old Witch (voice of Julie Walters) for help, she is granted an ill-fated wish. The ensuing peril forces Merida to discover the meaning of true bravery in order to undo a beastly curse before it’s too late.

“Brave” is a grand adventure full of heart, memorable characters and the signature Pixar humor enjoyed by audiences of all ages. The film takes aim at Philippine theaters on August 2012, and will be presented in Disney Digital 3D™ in select theaters.

Ooohhh... A new Disney/Pixar film!!! BRAVE - trailer and still!!!

The new trailer for Disney/Pixar's upcoming, Scotland-set animated feature “Brave” has just been revealed by the studio.

Since ancient times, stories of epic battles and mystical legends have been passed through the generations across the rugged and mysterious Highlands of Scotland. In “Brave,” a new tale joins the lore when the courageous Merida (voice of Kelly Macdonald) confronts tradition, destiny and the fiercest of beasts.

Merida is a skilled archer and impetuous daughter of King Fergus (voice of Billy Connolly) and Queen Elinor (voice of Emma Thompson). Determined to carve her own path in life, Merida defies an age-old custom sacred to the uproarious lords of the land: massive Lord MacGuffin (voice of Kevin McKidd), surly Lord Macintosh (voice of Craig Ferguson) and cantankerous Lord Dingwall (voice of Robbie Coltrane).

Merida’s actions inadvertently unleash chaos and fury in the kingdom, and when she turns to an eccentric old Witch (voice of Julie Walters) for help, she is granted an ill-fated wish. The ensuing peril forces Merida to discover the meaning of true bravery in order to undo a beastly curse before it’s too late.

“Brave” is a grand adventure full of heart, memorable characters and the signature Pixar humor enjoyed by audiences of all ages. The film takes aim at Philippine theaters on August 2012, and will be presented in Disney Digital 3D™ in select theaters.

MEET THE CHARACTERS OF “WINNIE THE POOH” !

“Winnie the Pooh and his friends from the Hundred Acre Wood are among the most entertaining and beloved characters ever animated by Disney,” says John Lasseter, executive producer of the new animated feature, “Winnie the Pooh.” The film will be shown starting Oct. 19.

“Literally borrowing a few pages from the great award-winning theatrical shorts of the 1960s that were created by Walt Disney and his team of legendary animators and storytellers, our directors, Don Hall and Steve Anderson, have done a fantastic job telling a fun and emotional new story,” Lasseter continues. “It’s a true joy to see these characters back on the big screen, and I know it will appeal to the child in everyone.”

WINNIE THE POOH (voice of Jim Cummings) is a self-described “bear of very little brain,” but the lovable bear who's stuffed with fluff has an uncommon, clear-eyed philosophy that’s admired worldwide. “There’s a wisdom to Winnie the Pooh that comes through in a very subtle way,” says producer Peter Del Vecho. “It’s about enjoying friends, enjoying family, enjoying life. It returns us to a simpler time.”

Pooh is a loyal friend to his neighbors in Hundred Acre Wood. He’s always willing to lend a helping paw—and he’s more than happy to share a jar of honey with anyone who’s interested. Indeed, Winnie the Pooh has an endless craving for honey or a smackerel of whatever is at hand to soothe that insatiable “rumbly in his tumbly.”

PIGLET (voice of Travis Oates) is a soft-spoken and skittish little fellow whose generosity and humility far outweigh his meager size. His fastidious movements, anxious wringing of his hands and adorable stutter—“Oh d-d-d-dear”—convey his nervousness and fear of the unknown. “The wonderful thing about Piglet is he’s frightened of everything and yet he still goes out and faces the world alongside his friends,” says Travis Oates, who provides the voice of Piglet.

TIGGER (voice of Jim Cummings) is an exuberant, one-of-a-kind creature with the famously springy tail. He acts on every impulse, and his boisterous manner often leads him to leap before he looks. Tigger's bouncing is a pure expression of his utter zest for life—a joy he's always eager to share with his friends.

Tigger’s unique personality extends to his original use of language, which often results in his trademark twists of phrase and malapropisms. Says Tigger to Eeyore: “We just need to get you Tiggerized!”

EEYORE (voice of Bud Luckey) is everyone's favorite delightfully dismal donkey. But Eeyore doesn't see himself as gloomy—he just has low expectations. He’d likely be shocked—and perhaps somewhat disappointed—to learn that he takes center stage in the new film. According to supervising animator Randy Haycock, “Eeyore actually plays a pretty significant role in this movie, maybe more significant than any of the other films, because the central storyline revolves around the fact that he’s lost his tail and everybody’s trying to help him find a new tail.”

OWL (voice of Craig Ferguson). Everyone knows that owls are the wisest of all creatures, and Owl knows everything—at least, he thinks he does, even if his information (and his spelling!) often turns out to be not quite right. Although Owl can be a know-it-all, he does want to help his friends. But it’s his effort to help that often stirs up trouble in the Hundred Acre Wood, and Owl stirs it up better than ever in this new adventure.

RABBIT (voice of Tom Kenny) is perhaps the smartest of the Hundred Acre Wood friends (at least he thinks so), and is often the self-appointed leader of the group. “If I had to pick one word to describe Rabbit,” says Tom Kenny (who’s also the voice of SpongeBob SquarePants), “I’d say he’s a ‘fussbudget’—he’s very fussy, organized, he likes his garden a certain way, he likes his house a certain way, he doesn’t like unexpected visitors—people just showing up at his door throws off his routine and he’s all about routine.”

KANGA (voice of Kristen Anderson-Lopez) -- Mom to Roo—is a warm, protective kangaroo. She certainly has her hands (and pouch) full with young Roo, but she manages him with love and patience.

ROO (voice of Wyatt Hall) is a wild young adventurer who wants to go everywhere and try everything. No matter the situation—or his mother’s objections—Roo throws himself right in the middle of all the action. Sometimes Kanga’s over-protective mothering tries Roo’s patience, but in the end there’s no place better than being cuddled in his mama’s pouch.

An all-new “WINNIE THE POOH” charms its way to the big screen

Walt Disney Animation Studios returns to the Hundred Acre Wood with the endearing animated feature “Winnie the Pooh.” Featuring the timeless charm, wit and whimsy of the original featurettes, this all-new movie reunites audiences with the philosophical “bear of very little brain” and friends Tigger, Rabbit, Piglet, Owl, Kanga, Roo…and last, but certainly not least, Eeyore, who has lost his tail.

Inspired by three stories from A.A. Milne’s books in Disney’s classic, hand-drawn art style, “Winnie the Pooh” will be shown soon.

“The entire story takes place in the course of a day,” says director Don Hall. “It’s business as usual in the Hundred Acre Wood. Pooh wakes up absolutely famished and he happens to have no honey. So that sets him out on his journey, which is ultimately derailed—first by a contest to find Eeyore a new tail.”

Pooh later finds a note from Christopher Robin that reads: “Gone out. Busy. Back soon.” But then Owl misinterprets the note, proclaiming that the boy has been captured by a creature called a “Backson.” Soon, the whole gang is on a wild quest to save Christopher Robin from the imaginary culprit. It turns out to be a very busy day for a bear who simply hoped to find some honey.

“We always set out to make a movie that will transcend generations—appeal to kids, entertain their teenage brothers and sisters, and make Mom and Dad laugh out loud,” says Executive Producer John Lasseter. “The personalities of A.A. Milne’s characters are so sharply drawn, so elegant in their simplicity, we found that they were amazingly funny before we even made our first story sketch. These are characters most of us have grown up with—characters we all want to introduce to our little ones and rediscover with all the loved ones in our lives.”

“Winnie the Pooh” not only features characters parents love to share with their children, but values and simple joys of life. That sharing among generations is reflective of Walt Disney’s philosophy.

“I do not make films primarily for children,” said of the late Walt Disney. “I make them for the child in all of us, whether we be 6 or 60. Call the child ‘innocence.’ The worst of us is not without innocence, although buried deeply it might be. In my work, I try to reach and speak to that innocence, showing it the fun and joy of living; showing it that laughter is healthy; showing it that the human species, although happily ridiculous at times, is still reaching for the stars.”

Funnyman John Cleese (“Shrek Forever After,” “A Fish Called Wanda”) serves as the narrator for “Winnie the Pooh.” The voice cast features some returning favorites who’ve voiced their characters before: Jim Cummings (“Gnomeo & Juliet,” “The Princess and the Frog,” “Shrek”) lends his voice to Winnie the Pooh and Tigger, and Travis Oates, who’s provided the voice of Piglet for seven years, returns as the voice of Pooh’s nervous little friend.

The cast also includes Pooh newcomers Bud Luckey (“Toy Story 3”) as the voice of Eeyore, Craig Ferguson (“The Late Late Show with Craig Ferguson”) as the voice of Owl, and Tom Kenny (“SpongeBob SquarePants”) as the voice of Rabbit. Kristen Anderson-Lopez, who also co-wrote original songs for the film (TV’s “The Wonder Pets,” off-Broadway’s “In Transit”) is the voice of Kanga; Wyatt Hall, the 7-year-old son of Director Don Hall, is the voice of Roo; and Jack Boulter is the voice of Christopher Robin.

The film is directed by Stephen Anderson (director, “Meet the Robinsons”) and Don Hall (head of story, “The Princess and the Frog”); Peter Del Vecho (“The Princess and the Frog”) produces. “Winnie the Pooh” is executive-produced by John Lasseter. Robert Lopez (Broadway’s “Avenue Q”) and wife Anderson-Lopez (“In Transit”) provide original songs; the original score is by Henry Jackman (“Kick-Ass,” “Monsters vs. Aliens”).

Actress/musician/singer/songwriter Zooey Deschanel (indie folk band She & Him) provides the vocals for a special rendition of the beloved “Winnie the Pooh” theme song as well as additional songs from the film, including the end-credit song, “So Long,” which she wrote.